Biographies & Memoirs

The Autobiography of Bertrand Russell

The Autobiography of Bertrand Russell

Despite the ups and downs of his personal life and professional career - even in the face of deafness - Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency, writes the music historian Mark Evan Bonds, provides the key to understanding the composer's life and works. Beethoven approached music as he approached life, weighing whatever occupied him from a variety of perspectives: a melodic idea, a musical genre, a word or phrase, a friend, a lover, a patron, money, politics, religion. His ability to unlock so many possibilities from each helps explain the emotional breadth and richness of his output as a whole, from the heaven-storming Ninth Symphony to the eccentric Eighth, and from the arcane Great Fugue to the crowd-pleasing Wellington's Victory. Beethoven's works, Bonds argues, are a series of variations on his life. The iconic scowl so familiar from later images of the composer is but one of many attitudes he could assume and project through his music. The supposedly characteristic furrowed brow and frown, moreover, came only after his time. Discarding tired myths about the composer, Bonds proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self.



Prologue: What I have Lived for

Chapter 1. Childhood

Chapter 2. Adolescence

Chapter 3. Cambridge

Chapter 4. Engagement

Chapter 5. First Marriage

Chapter 6. ‘Principia Mathematica’

Chapter 7. Cambridge Again


Chapter 8. The First War

Chapter 9. Russia

Chapter 10. China

Chapter 11. Second Marriage

Chapter 12. Later Years of Telegraph House

Chapter 13. America. 1938-1944



Chapter 14. Return to England

Chapter 15. At Home and Abroad

Chapter 16. Trafalgar Square

Chapter 17. The Foundation


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